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My View of Wicca and Witchcraft
July 2006
In this article I will attempt to correct some common
misunderstandings, along with the intentional misrepresentations of my
work that appear on various websites, forums, and chatrooms. I
believe it was Mark Twain who said that if a man makes no enemies, then
he has not lived his life well. In this context, I seem to be
doing fine.
The first thing I wish to clear up is my use of the terms
Wicca and Witchcraft, and any derivatives of these words. Some
people feel that I confuse the terms. To begin, I first
encountered the word "Wicca" in the summer of 1969 when I met a young
woman who told me that she was a Witch. During this period, and on into
the 1980s, just about everyone in the Craft community here in the
United States used the term Wiccan and Witch interchangeably. This
is how I first came to learn the terms. Later I read about them in the
writings of Gerald Gardner, who also equated Wiccan and Witch.
It's a foundational habit that stuck with me over the years.
Sometime during the 1980s a change took place in the U.S., and many people began to distinguish
between the two terms. The younger generation adopted the
word Wicca and applied it to a loose self-styled form of the Craft,
while most of the people who were already involved embraced the word
Witch. In this way they hoped to distinguish between the new Wicca
(introduced by such authors as Scott Cunningham) and the Old Ways as
featured in books with more of a foundation in the ways of our European
ancestors. By the 1990s the
direction of Wicca had thoroughly passed from the
hands of the original practitioners and into a new era where it was
comprised of people with different views. This was the
transformation into what I refer to as Neo-Wicca.
Another problem involves the view of Wicca in the UK as
opposed to how it was and is viewed in the United States. British
practitioners rightfully feel that Wicca began in the British Isles.
Some of them resist accepting Wicca in its American cousin form (if not
outright rejecting it). Some
modern practitioners believe that Wicca originated with Gerald Gardner,
and that nothing similar to it pre-existed in the British Isles, or
anywhere else. There are those in the UK who do not believe that Witchcraft ever
existed in any form other than as a superstition among peasants and/or a
purely literary form. Some people take the position that unless you're
writing about Gardnerian Wicca or any of its branches (or native
relatives) then you're not writing about Wicca. While this is
understandable, it is not a view that is embraced in America.
To me, Wicca is a religion that includes the concept of a
balanced male-female deity. The structure of the system
incorporates an altar, the four ritual tools (pentacle, wand, athame,
chalice), a ritual circle, elemental spirits, guardians of the four
directional quarters (north, east, south, and west), a Book of Shadows,
and rituals connected to the moon and the seasons of Nature (represented
by the eight Sabbats known as the Wheel of the Year). I can see no
reason why its practice or its name should be limited by
geography.
My view of Witchcraft is founded upon a combination of
things that include literary and historical materials along with
personal experience. Among the ancient Greeks, Witchcraft was viewed as
an illicit religion, and Medea (an early Witch figure) was depicted as a
priestess of Hecate. Hecate is a goddess long associated with
Witchcraft. I do not view this as an entirely literary invention,
because fictional stories frequently contain real and true events,
beliefs, practices and depictions of life within the cultural settings
of the era in which the fiction. is set. It is interesting to
note, for example, that the invocations spoken by Medea in the literary
works of Roman poets such as Horace, Ovid, and Lucan, are strikingly
similar to ancient Babylon invocations actually used centuries
earlier. For example, compare the historical invocation from
Babylon with two literary Roman texts:
BABYLONIAN:
“I invoke you, gods of the night, with you I
invoke the night, the veiled bride, I invoke (the three
watches of the night) the evening watch, the midnight watch,
and the dawn watch...stand by me, O Gods of the Night!
Heed my words, O gods of destinies, Anu, Enlil, Ea, and the
great gods! I call to you, Lady of the silence of the
night, I call to you, O’ Night, bride ..."
ROMAN: "Night
and Diana, who command silence when secret mysteries are
performed, now aid me; now turn your vengeance and influence
against my enemies' houses..."
ROMAN:
“Night, trustiest keeper of my secrets, and
stars who, together with the moon, follow on from the fires
of the daylight, and you Hecate of the three heads, who know
all about my designs and come to help the incantations and
the craft of the witches, and Earth, who furnish witches
with powerful herbs, and Breezes, Winds, Mountains, Rivers,
and Lakes, and all the gods of the groves and all the gods
of the night, be present to help me. Night-wandering queen,
look kindly upon this undertaking."
From where did
Horace, Ovid and Lucan draw their views? Certainly not out of
thin air, as we have seen in the examples. Could they not be
using known historical practices and ritual texts or their
era? If so, were these known elements in the practice
of Witchcraft at the time?
Although many modern
scholars believe that Witchcraft (as a religion) is a modern
construction largely credited to Gerald Gardner, it seems
all too apparent to me that too many archaic elements
exist to have been a modern construction traceable to Gerald
Gardner and a small handful of cohorts. It would have
required the combined efforts of mythologists,
anthropologists, folklorists, historians, and highly trained
occultists working together over several decades to create
the complex layers and inner‑connections that appear in just
the published material on Witchcraft alone, not to mention
the restricted initiate material that was available within a
ten year span of Gardner's writings. It seems highly
unlikely that such collaboration ever took place, and the
simplest explanation is that the essential foundation
already existed.
In the book The
History and Practice of Magic, written by Paul Christian
and Jean Baptiste in 1839,
we read:
“The origin of
witchcraft was very ancient; it began in Thessaly, a country
celebrated for its witches and wizards…” -
Book III, chapter VI, page 203
Whether true or not,
the Greek writings on Witchcraft are the earliest to appear
on this subject in any Western materials. The
ancient Greek word (translated into the English word
witch) is the word pharmakis.
Historian Richard Gordon refers to it as the earliest term
to become the standard word for witch or wise woman. (
Magic in Europe: Ancient Greece and Rome. University of
Pennsylvania Press, 1999, page 251).
Some people use the word
Witch to mean a practitioner of magic without any religious
connections. They say it is a generic practice and not
a religion. Others use it in the academic sense as a person
who uses magic with ill intent. Scholars often
contrast the Witch against the Cunning Folk, who were viewed
as healers, and who reportedly protected people
against Witchcraft. My position is that Witchcraft was
an ancient religion that contained a magical system.
At some point the magical system branched off, and elements
of it took root among the rural peasants. Here it
evolved into a common folk magic tradition.
I view the Cunning Folk
as the folk magic practitioners who participated in an
essentially Catholic-rooted magical practice . They did not
profess to be Witches nor did they openly claim any pagan
heritage. People sought them out to work against the
imagined ills purported to be directed by Witches. I
personally regard the Cunning Folk in much the same way that
I regard American Indians who scouted for the U.S. Army, and
contributed to the demise of their own people.
When I look at the
literary and historical materials related to Witchcraft, I
am struck with the immensity of data. Writings about Witches
and Witchcraft in Western literature span from around 800
bce to modern times, and appear between in each consecutive
century in one form or another. The Witch-figure has been
infamous for over 2500 years. Eventually the widespread
torture and killing of those accused of Witchcraft was
sanctioned by both secular and ecclesiastical authorities.
For a religion and a people that scholars say never existed,
this seems amazingly remarkable.
What other parallel can
we draw from history that encompasses so much literature
over a vast period of time, and addresses with such
intensity and tenacity a people that never existed, while at
the same time resulting in the torture and deaths of
thousands of real individuals thought to be this
non-existent thing? There appears to be no match or
precedence in all of history. Why have people believed in
the actual existence of witches since ancient times? Why
are we still talking about them in the 21st century?
When comparing
Witchcraft with Wicca, there are more similarities than
there are differences. For example, the
Witch known as Medea is a priestess, and she casts a
ritual/magical circle on the ground, sets an altar, and
calls upon a goddess. The Italian Witch-Hunter,
Francesco Guazzo, writes in his Compendium Maleficarum, that
Witches possess a black book from which they read during
their religious rites. He also mentions that they have
dealings with spirits of earth, air, fire and water.
Old woodcuts depict Witches attending a Sabbat. Folklorist
Charles Leland, in his book Aradia, presents material
connecting Witches with a male and female divinity. It
is therefore difficult to clearly distinguish between Wicca
and Witchcraft, is such a distinction actually does apply.
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